Rosa Belmonte Wikipedia: age, partner, biography, controversies… all about the journalist

If you have come here looking for Rosa Belmonte on Wikipedia, we have some bad news: she does not have her own page in the encyclopedia. But don't worry, because this article will tell you everything you need to know about her, and probably more than Wikipedia would have provided. Because Rosa Belmonte is one of those figures in Spanish journalism that generates as much curiosity for what she writes as for what she does not reveal about herself.

Born in Murcia, with a degree in Law and a career that began defending cases in the courts, Belmonte took a professional turn that few expected. She moved from the courts to the newsrooms, and she did so with such a personal style that today she is one of the most recognised columnists in the Spanish landscape. Always linked to the Grupo Vocento, her texts appear in publications such as ABC, El Correo, Hoy, and La Verdad, where she writes columns with a mix of irony, satire, and a honesty that sometimes stings.

She summarises it better than anyone: she writes her columns “with no other intention than to make a joke a miniature revolution”, paraphrasing Orwell. And hey, she succeeds.

Age and date of birth

One of the most sought-after pieces of information about Rosa Belmonte is her age. And here comes the fun part: the journalist has not publicly confirmed her exact date of birth. Some sources suggest April 16, 1971, which would make her 53 years old currently. But Belmonte has preferred to keep that detail in a kind of voluntary haze, something that fits perfectly with her reserved personality.

In an era where everyone shares even what they have for breakfast, for someone to choose not to reveal their age seems almost revolutionary. Or simply intelligent.

From lawyer to journalist: an unconventional biography

Rosa Belmonte's trajectory does not follow the usual path of journalism. She did not study Journalism or Communication. She studied Law and worked as a lawyer before jumping into the media. She began writing a weekly column in La Verdad de Murcia while balancing law with writing, until the keyboard won the battle.

Interestingly, she does not consider herself a journalist. She has said so more than once and with total certainty. She defines herself more as someone who sees things and tells them. Watching television and reporting it, seeing politicians and reporting them, seeing life and reporting it. With humour, of course. Always with humour.

Her presence in the media

Her media activity goes far beyond the written press. Rosa Belmonte regularly collaborates on radio and television, participating in programmes that range from political analysis to social commentary:

On radio, she is a regular on the programme ‘Más de uno’ with Carlos Alsina on Onda Cero, where she is also part of ‘La Cultureta’, a space where culture and debate mix without complexes. She also participates in ‘La mañana de Federico’ and ‘En casa de Herrero’ on esRadio.

On television, she has been a collaborator on the talk show ‘El Hormiguero’ on Antena 3 and on ‘Espejo Público’, among other programmes. Her direct and unfiltered style makes her a presence that never goes unnoticed in a studio.

Partner and personal life

If you expect to find a report here about Rosa Belmonte's love life, you will be left wanting. The journalist from Murcia has maintained an extremely discreet profile regarding her private life. She has openly stated that she is not interested in romantic relationships, valuing her independence and deep connections with friends and family above any romantic bond.

One of Belmonte's most well-known and discussed friendships is with Emilia Landaluce, also a journalist and companion in literary adventures. Together they have written several books and share a sense of humour that, as they say, is their superpower. Although there have been speculations about the nature of this relationship, both have clarified that their bond is purely professional and friendly. Rosa considers Emilia's family as her own, but has always made it clear that there is nothing beyond that.

Published books

In addition to her daily columns, Rosa Belmonte has co-authored (always with Emilia Landaluce) several books that reflect her particular view of the world:

‘Sobre nosotras, sobre nada’ (La Esfera de los Libros) was her publishing debut. A book that gathers real experiences told with that self-parodic and carefree tone that characterises them. Stories where “humour and capitalism always triumph”, as they describe it.

‘La mala víctima’ (Espasa, 2023) marked her leap into fiction. A novel starring Socorro, a crime reporter who mixes social comedy with thriller. Critics received it as a fresh and fun proposal within the Spanish noir genre.

‘Donde caiga la flecha’ (Espasa, 2024) is the continuation of Socorro's adventures, with a plot revolving around unsolved crimes that cements Belmonte and Landaluce as a literary duo with their own personality.

She also participated in the collective book ‘Fritz Lang Universvm’ (Notorious Ediciones, 2016), alongside other authors like José Luis Garci.

Controversies and controversies

Rosa Belmonte is no stranger to controversy. Her direct style and tendency to say what she thinks without too many filters have earned her both admirers and detractors in equal measure.

The comment about Sarah Santaolalla

The most recent and notable controversy occurred in February 2026 during the political talk show ‘El Hormiguero’. When Pablo Motos mentioned that a guest from Cuatro had called Felipe González a “traitor,” Belmonte responded with a comment about Sarah Santaolalla (“is that the one who is half silly half tits?”) that generated a wave of criticism on social media and in the political sphere.

Belmonte argued that it was a quote from the series ‘The Marvelous Mrs. Maisel’, but the damage was already done. The next day, she posted a message on X apologising publicly for what she described as a “spontaneous” and “inappropriate” comment. Pablo Motos also apologised at the beginning of the next programme, acknowledging that “we messed up”.

Santaolalla herself responded strongly, demanding that the apologies be direct and personalised, not generic. The episode sparked an intense debate about the limits of humour on television and the responsibilities of those who occupy high-profile spaces.

On esRadio, Belmonte defended her stance by appealing to Ricky Gervais's philosophy on humour: “I believe you can joke about everything”. A position that, as expected, did not convince everyone.

A style that divides

Beyond specific episodes, Rosa Belmonte's style itself is a constant source of debate. Her columns do not seek consensus or political correctness. They use frivolity as satire, sarcasm as an analytical tool, and humour as a way to dismantle the contradictions she observes around her. For her supporters, that is exactly what makes her indispensable. For her critics, it is an approach that sometimes crosses unnecessary lines.

The woman behind the columns

Perhaps the most interesting thing about Rosa Belmonte is that calculated contradiction between her public persona and her real self. She is someone who writes with brutal honesty but protects her private life fiercely. Who defines herself as shy and a lover of solitude, yet fills radio and television talk shows with her presence. Who claims not to take anything seriously, yet has spent decades practising the craft of writing with a discipline and consistency that many would envy.

She has declared herself addicted to television, a keen reader of international politics since her teenage years, and an advocate that a gossip journalist can be a better journalist than many political analysts. A phrase that sums up her worldview quite well: without absurd hierarchies, without poses, and with feet on the ground.

Rosa Belmonte does not need Wikipedia for you to know who she is. Her columns speak for her every day.