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Thomas Houseago transforms a garden in the Barrio de Salamanca with his monumental sculptures

Thomas Houseago's first solo exhibition in Spain turns a private garden in Madrid into a unique artistic space inviting reflection.

Fernando RojasFernando Rojas· · 2 min read

A garden that becomes an art gallery

In the heart of the Barrio de Salamanca, an exceptional green space has been transformed into an open-air gallery thanks to the work of renowned British sculptor Thomas Houseago. Banca March, famous for its commitment to culture, opens the doors of its private garden to host the artist's first solo exhibition in Spain, an event coinciding with the centenary of the institution.

From May 12 to October 30, visitors can enjoy this unique exhibition for free. With seven sculptures spanning from 2008 to 2025, Houseago invites the public to explore his artistic vision in a natural setting. Curator Anne Pontégnie, an expert in his work, has carefully selected the pieces to engage in dialogue with the landscaped surroundings.

Among the works stands out Janus, a monumental sculpture that emerges from the trunk of a century-old sequoia. This two-faced character is just one example that reflects the artist's aesthetic philosophy: the unfinished as a form of expression. According to Houseago, these imperfections are a mirror of our own existence, always in transformation and never completely finished.

Themes such as woods, metals, and industrial remnants are integral to Houseago's work. His style evokes influences ranging from primitive art to dystopian figures that could inhabit universes like those of Star Wars. Additionally, his admiration for masters like Pablo Picasso and Alberto Giacometti is evident; his works resonate with echoes of the past while addressing contemporary issues about the human condition.

Born in Leeds in 1972 and marked by a difficult childhood due to family problems, Houseago uses his art as a means to explore his personal experiences. His sculptures are not just physical representations; they are visual narratives that invite the viewer to reflect on their own struggles and identities.

As visitors stroll through this transformed garden, they find themselves surrounded by mutant creatures that challenge traditional aesthetic norms. The exhibition not only offers an opportunity to appreciate artistic talent but also to contemplate how these brutal works can coexist harmoniously with the classical beauty of the environment. For those interested in immersing themselves in this unique experience, prior registration is recommended through the official Banca March website.

Fernando Rojas

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Fernando Rojas